Alfred Sisley
Alfred Sisley's Oil Paintings
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1839 -- 1899. English Impressionist landscape painter.

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Alfred Sisley
Trauben und Nusse
ca. 1880(1880) Medium Oil on canvas Dimensions 38 ?? 55.5 cm (15 ?? 21.9 in) cyf
ID: 76580

Alfred Sisley Trauben und Nusse
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Alfred Sisley Trauben und Nusse


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Alfred Sisley

French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.  Related Paintings of Alfred Sisley :. | Brucke von Moret im Sommer | Brucke von Hampton Court | The Lesson | Le Matin | Banks of the Seine near Bougival |
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Johann Jakob Ulrich
impression atist 28 Feb 1798 -- 17 March 1877. Swiss painter. He first studied under his father and then in Paris in 1822 in the studio of Jean-Victor Bertin. As a student he concentrated on unusual lighting effects in his landscape paintings well before they became a hallmark of the precursors of the Impressionists. In 1824 at the Salon in Paris he first saw paintings by Constable. On a trip to Italy in 1828 he did studies en plein air as preliminary sketches for his studio paintings. His early paintings emphasize brilliant colour, low horizons and scientific observation of cloud formations in a manner similar to Constable's studies, which he actually saw on visits to England in 1832 and 1835. Like Eugene Boudin, Ulrich was interested in poetic evocations of sun, water and effects of atmosphere rather than in the precise delineations of topography typical of Swiss art of that period. From 1824 he showed regularly at the Salons in Paris and in 1837 he returned to Zurich. Because the Swiss public was reluctant to accept his freer,
Albert Joseph Moore Prints
English Classicist Painter, 1841-1893 Albert Joseph Moore (4 September 1841 ?C 25 September 1893) was an English painter, known for his depictions of langorous female figures set against the luxury and decadence of the classical world. SilverHe was born in York in 1841, the youngest of the fourteen children of the artist William Moore of York who in the first half of the 19th century enjoyed a considerable reputation in the North of England as a painter of portraits and landscape. In his childhood Albert Moore showed an extraordinary love of art, and as he was encouraged in his tastes by his father and brothers, two of whom afterwards became famous as artists ?? John Collingham Moore and Henry Moore, and he was able to begin the active exercise of his profession at an unusually early age. His first exhibited works were two drawings which he sent to the Royal Academy in 1857. A year later he became a student in the Royal Academy schools; but after working in them for a few months only he decided that he would be more profitably occupied in independent practice. During the period that extended from 1858 to 1870, though he produced and exhibited many pictures and drawings, he gave up much of his time to decorative work of various kinds, and painted, in 1863, a series of wall decorations at Coombe Abbey, the seat of the Earl of Craven; in 1865 and 1866 some elaborate compositions: The Last Supper and The Feeding of the Five Thousand on the chancel walls of the church of St. Alban's, Rochdale; and in 1868 A Greek Play, an important panel in tempera for the proscenium of the Queen's Theatre in Long Acre. His first large canvas, Elijah's Sacrifice, was completed during a stay of some five months in Rome at the beginning of 1863, and appeared at the Academy in 1865. A still larger picture, The Shunamite relating the Glories of King Solomon to her Maidens, was exhibited in 1866, and with it two smaller works, Apricots and Pomegranates. In these Albert Moore asserted plainly the particular technical conviction that for the rest of his life governed the whole of his practice, and with them he first took his place definitely among the most original of British painters.
Jean Cousin THe Elder
Sens ca .1490-Paris ca 1560






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