Alfred Sisley
Alfred Sisley's Oil Paintings
Alfred Sisley Museum
1839 -- 1899. English Impressionist landscape painter.

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Alfred Sisley
Boatyard at Saint-Mammes
1885(1885) Medium oil on canvas Dimensions 21.525 x 28.875 in (54.7 x 73.3 cm) cjr
ID: 89006

Alfred Sisley Boatyard at Saint-Mammes
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Alfred Sisley Boatyard at Saint-Mammes


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Alfred Sisley

French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.  Related Paintings of Alfred Sisley :. | Boat in the Flood at Port-Marly | vid loings stander | Brucke von Hampton Court | La Seine a Argenteuil | The Canal du Loing at Moret |
Related Artists:
Robert Hills
British Painter, 1769-1844 English painter and etcher. After taking drawing-lessons from John Alexander Gresse (1740-94), he enrolled at the Royal Academy Schools, London, in 1788. Village and rural scenes, and in particular studies of animals, occupied him throughout his working life; his favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, Hills carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds; the British Museum holds the artist's collection of his own etchings
Theodoor Rombouts
Flemish , b. 1597, Antwerpen, d. 1637, Antwerpen was a Flemish Baroque painter specializing in Caravaggesque genre scenes of card players and musicians. He studied under Abraham Janssens in Antwerp and was in Italy between 1616 and 1625, where he was heavily influenced by Caravaggio.
Boccaccio Boccaccino
(c. 1467 - c. 1525) was a painter of the early Italian Renaissance, belonging to the Emilian school. He is profiled in Vasari's Le Vite delle pie eccellenti pittori, scultori, ed architettori (or, in English, Lives of the Most Excellent Painters, Sculptors, and Architects). He was born in Ferrara and studied there, probably under Domenico Panetti. Few facts of his life are known. His principal artistic activity was in Venice, Ferrara, and especially in Cremona, where he founded a school in which Garofalo was a pupil. His most celebrated achievement is the frescoes in the Cathedral of Cremona (1506-1519) representing the Birth of the Virgin and some subjects from her life. His position there was taken over by Altobello Melone. His remaining works, which include the Marriage of Saint Catherine (Accademia), the Virgin and Child with Four Saints (Venice, San Giuliano), the Virgin and Two Saints (Cremona, San Quirilo), and the Holy Family (Paris, Louvre), are considered by Lanzi remarkable for richness of drapery, variety of color, spirit and grace of attitude, and harmony of landscape. Several works formerly attributed to Pietro Perugino, Pinturicchio, and Garofalo are now ascribed to Boccaccino. His son and pupil Camillo Boccaccino (1501-46) was a painter at Cremona.






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